This film-within-a-film aspect and the theatricality of the piece along with the adoption of a pop-culture framework allude to the theatrical nature of the courtroom as it is presented in the media and popular culture.
Category Archives: screening_asiangothic
Earth
Upon the site lie fifty human beings oscillating between consciousness and unconsciousness, life and death. Each of them emerges into the foreground clutching a fist, batting an eyelid, or weeping for his neighbor.
Ghost of Asia
A video installation in collaboration with Christelle LHEUREUX. A ghost is wandering along the rocky coastline of a Thai island. The children see the ghost when they play at the coast.
Haunted Houses
All sixty six villagers from six villages participated, playing roles. The story was continuous but the actors who played the characters were constantly changed as the filming location moved from one village to another.
The Man with Three Coffins
One day in December, a man takes out from the closet, the remains of his wife who died three years ago. He goes on a trip to spread the remains and reaches a town called Mulchi on the east coast. Because he cannot go to his wife’s hometown in North Korea, he tries to spread the remains on the seashore but a security guard drives him out.
Memories of Over-Development
Filming started in the early 1980s and it took the director over thirty years to complete the film. Director Kidlat plays the role of Magellan’s slave Enrique, who was with Magellan when the Philippines was first discovered.
Shakespeare Must Die
A dictator sits alone in his dark mansion, grieving for his mad, dead wife, as a mass uprising rages against him. Elsewhere in a theatre, Shakespeare’s Macbeth is being staged; its scenes intercut with his flashbacks to tell the story of an ambitious general who, prompted by witches, kills the king to crown himself.
Thousand Years Old Fox
Director Shin Sang-ok, who made some of the best commercial films in the 1960s, delivers the topics of never-ending stories such as the dynamics of a ruler and subjects, and power and sex through the sentiments of a horror movie.
Utama: Every Name in History is I
A genre-blending mixture of fiction, documentary, filmic tableaus, philosophical meditation, political allegory, mythical fantasy, costume parade, dramatic enactments and film essay, this film sets into motion an inquiry into a subterranean network of issues related to myths, history, origins and power.