Pictures at an Exhibition

The old lady selling flowers on the street let their children in her hometown. They came this much later on / The number one national treasure also burned up this much but came back / She said she could not get back to the hometown.


Trip to the Wound

This is one of a series of compilations: seven short fiction films and three short documentaries. It is directed by ten filmmakers, visual artists and musicians to honor the tenth anniversary of the Indonesian Reform era.


SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.


Bae Young-whan

In Inwang Mountain, Seoul, the sacred and the secular live together. The past and present coexist. Both ideas and reality stay together while soldiers, shamans, hikers and Buddhist monks get along with one another. Even political conspiracies and religions have left their marks there.


Apologies

The passage of time does not heal all wounds; it cannot settle all accounts or resolve all disputes. But the identities of the perceived perpetrators can change, and a national apology is to document and put on record a symbolic act as a prelude to possible reconciliation and forgiveness.