Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.

How to Disappear Completely

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol. She decides to put on a stage play based on an old Philippine film about a family who disappears in the mountain during the war.

Piagol

One of the few partisan units left in Mt. Jiri after the signing of the Armistice, the unit led by a captain nicknamed “Agari” commits all manner of atrocities. One day, a female partisan soldier named So-ju, who had been transferred to another unit, finds her way back to Piagol with a bullet wound in her shoulder.

Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

The Radiant

The Radiant explores the aftermath of March 11, 2011, when the Great Tohoku Earthquake struck the Northeast Coast of Japan at 2:46 pm, triggering a tsunami that killed tens of thousands and causing the partial meltdown of the Fukushima Daiichi nuclear power plant.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?