Bae Young-whan

In Inwang Mountain, Seoul, the sacred and the secular live together. The past and present coexist. Both ideas and reality stay together while soldiers, shamans, hikers and Buddhist monks get along with one another. Even political conspiracies and religions have left their marks there.

Apologies

The passage of time does not heal all wounds; it cannot settle all accounts or resolve all disputes. But the identities of the perceived perpetrators can change, and a national apology is to document and put on record a symbolic act as a prelude to possible reconciliation and forgiveness.

The Propeller Group

The camera is positioned directly in front of the targets inside the shooting area, situated face to face with tourists as they enter, pay, shoot, giggle, laugh, and react to their own acts of “firing.” The camera was placed behind bulletproof glass and pulled on a track, scanning the shooting booths as it glided nonchalantly back and forth.

Trip to the Wound

This is one of a series of compilations: seven short fiction films and three short documentaries. It is directed by ten filmmakers, visual artists and musicians to honor the tenth anniversary of the Indonesian Reform era.

Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?