Choi Gene-uk

Around the time of the Inter-Korean Summit, the kinds of ‘art’ presented to the South Korean public were benign travel sketches by a few painters. The painters depicted the people or landscape of North Korea as “peaceful scenery of a foreign country” as if they were camels along the Silk Route. But there is something “impure” in the paintings, different from other ideologically “pure” paintings produced by other artists around the time.

SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.

Naito Masatoshi

This series was shot from 1968 to 1970. The aged women listen to the words of the dead, their fathers and husbands who died in the war or their sons who were fishermen shipwrecked due to a sudden change of the weather, and the children or grandchildren who died from disease.

DocLab’s Works

Based in Hanoi, DOCLAB is an art center for documentaries, experimental films and videos. Founded in 2009, DOCLAB has been working to take film and its audience back into the realm of the individual. Taking documentaries beyond “objectivities,” Hanoi DOCLAB explores the unknown in-between spaces: between objective observance and subjective experience, fiction and non-fiction, the public and the private.

Hold your breath for four minutes ? The Cemetery

Sangpae-dong Public Cemetery has served as a burial site for more than 5,000 unidentified deceased since the colonial era. These “unidentified” deceased belong to many different kinds of minority groups that have drifted in and vanished out by the political shifts in the history of Dongducheon.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?