Yoneda Tomoko

We frail humans were witness to a horror that could not have been foreseen even with all of our knowledge and imagination, and to the existence of a phenomenon so immense that individuals were powerless to resist it.

Nina Fischer & Maroan el Sani

The screening triggered an identification-process of the fugitives with the protagonist of Kurosawa’s movie, as they recognized their similar desperate situation. It was followed by an experimental setup of cinematic improvisations with refugees and actors, focusing on the exploration of fears and uncertainties surrounding the nuclear catastrophe and ongoing threat of radiation.

Ho Sin Tung

Each of these 28 films belongs to different categories including Masterpiss, Classic Restoriette, The Advance Guard, Mocumentary, Czech Republic Goes Public etc. Within these categories, Ho tries to challenge classic authority and present the power of association in order to discuss the phenomenon of the Film Festival and to reflect on her own mentality.

Hold your breath for four minutes ? The Cemetery

Sangpae-dong Public Cemetery has served as a burial site for more than 5,000 unidentified deceased since the colonial era. These “unidentified” deceased belong to many different kinds of minority groups that have drifted in and vanished out by the political shifts in the history of Dongducheon.

Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?