Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.

Jakrawal NILTHAMRONG

The film pays homage to sci-fi film techniques in the 1960s and 1970s when filmmakers experimented with “Organic Effects” to depict life in space as well as American experimental filmmakers who explored film media as a conceptual art form.

Ghost of Asia

A video installation in collaboration with Christelle LHEUREUX. A ghost is wandering along the rocky coastline of a Thai island. The children see the ghost when they play at the coast.

Otty Widasari

Jabal Hadroh, Jabal Al Jannah (Green Mountain, Heaven Mountain) is a visual poem about (Muslim) women who in several places?geopolitically?cannot, may not, or do not want to walk alone. There must be men to accompany women either as guardians or her companions. But as a human, sometimes women also want and must and able to walk alone, if only to cleanse herself or feel the heavenly pleasure that exists in the world.

Tamura Yuichiro

In the title Suzuki Knife, Social Cooking, Suzuki (sea bass) refers to the name of the murderer Suzuki Denzo and the knife indicates the murder weapon or the kitchen knife. Tamura met an old blacksmith who still makes kitchen knives in a traditional way in the very city of Seki and requested him to produce a kitchen knife for cutting and trimming sea bass.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?