Earth

Upon the site lie fifty human beings oscillating between consciousness and unconsciousness, life and death. Each of them emerges into the foreground clutching a fist, batting an eyelid, or weeping for his neighbor.


Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.


Basim Magdy

Starting with shiny rooftops and ending with the seemingly insignificant demise of the last circus elephant of its kind, The Dent weaves loosely linked events and irrational occurrences to reflect on collective failure and hopefulness. An anonymous little town struggles for international recognition as it becomes obvious that failure is a monster too big to slaughter.


siren eun young jung

Le Nouveau Monde Amoureux depends on the unique aesthetics of tradition and performativity in pansori, a genre of traditional music in Korea. The work as a performance appropriates the content and form of Chunhyang-ga, the most well-known piece of pansori among the five songs left today. However, it reveals that the development of the typical romantic narrative is embedded with a constant struggle against the class consciousness of the period.


Utama: Every Name in History is I

A genre-blending mixture of fiction, documentary, filmic tableaus, philosophical meditation, political allegory, mythical fantasy, costume parade, dramatic enactments and film essay, this film sets into motion an inquiry into a subterranean network of issues related to myths, history, origins and power.