Nina Fischer & Maroan el Sani

The screening triggered an identification-process of the fugitives with the protagonist of Kurosawa’s movie, as they recognized their similar desperate situation. It was followed by an experimental setup of cinematic improvisations with refugees and actors, focusing on the exploration of fears and uncertainties surrounding the nuclear catastrophe and ongoing threat of radiation.

Choi Sunghun + Park Sunmin

Electric cords create a unique impressive landscape of Korea. Most electric cords are entangled in a surprisingly complex way.We often witness magpies or sparrows perching on the lines. Considering the strong electric power flowing inside the line cover, the idyllic scene of the birds would soon turn into a risky play prior to an impending dangerous disaster.

Lina Selander

Lenin’s Lamp Glows in the Peasant’s Hut is a work with many points of entry. In the text piece that can be viewed as a sketch for the film, the conceptual content of the film is presented as a number of mineshafts, various vertical movements that are joined together and create a system of meanings into which viewers may descend.

siren eun young jung

Le Nouveau Monde Amoureux depends on the unique aesthetics of tradition and performativity in pansori, a genre of traditional music in Korea. The work as a performance appropriates the content and form of Chunhyang-ga, the most well-known piece of pansori among the five songs left today. However, it reveals that the development of the typical romantic narrative is embedded with a constant struggle against the class consciousness of the period.

Scenes of Between

A father told an anecdote to his son. The story is a kind of absurd folktale that is hard to believe as historical fact. The documentary is about the narrative based on “facts” that have been passed on orally.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?