Habitual Sadness 2

They are no different from the elderly women we see everyday. However, they are all marked by pain and sorrow from their shared history of being “comfort women” during World War II. They became subject to prejudice in their own homeland after their return to Korea.

CHUNG Seoyoung

The clay tower and the body in the photo construct a sculptural reality that emerges through the changes and movements of the body and its posture for supporting the clay tower and through the time drawn by the body to support such characteristics.

The Man with Three Coffins

One day in December, a man takes out from the closet, the remains of his wife who died three years ago. He goes on a trip to spread the remains and reaches a town called Mulchi on the east coast. Because he cannot go to his wife’s hometown in North Korea, he tries to spread the remains on the seashore but a security guard drives him out.

The Radiant

The Radiant explores the aftermath of March 11, 2011, when the Great Tohoku Earthquake struck the Northeast Coast of Japan at 2:46 pm, triggering a tsunami that killed tens of thousands and causing the partial meltdown of the Fukushima Daiichi nuclear power plant.

Jesse Jones

Jesse Jones’ 16mm film The Spectre and the Sphere evokes the spectres of ideology and amplifies residual voices that haunt the cultural vessels of history. It examines how the spaces of our popular imagining, such as the theater and the cinema, are also containers of historical and political impulses.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?