Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

Choi Sunghun + Park Sunmin

Electric cords create a unique impressive landscape of Korea. Most electric cords are entangled in a surprisingly complex way.We often witness magpies or sparrows perching on the lines. Considering the strong electric power flowing inside the line cover, the idyllic scene of the birds would soon turn into a risky play prior to an impending dangerous disaster.

Vampire

Somewhere along the border of Thailand and Myanmar lives a creature called Nok Phii (Ghost Bird) or there used to. Nok Phii feeds on other animals’ blood and even attacks human beings.

Unknown (Yojiyundo)

Immortals’ Feast on Yoji Pond is known to have been created during the Yuan dynasty. It gained popularity during the Ming dynasty. In Korea, it first appeared in court painting during the Joseon Dynasty and was used as a background image for folding screens during the late Joseon period.

Nina Fischer & Maroan el Sani

The screening triggered an identification-process of the fugitives with the protagonist of Kurosawa’s movie, as they recognized their similar desperate situation. It was followed by an experimental setup of cinematic improvisations with refugees and actors, focusing on the exploration of fears and uncertainties surrounding the nuclear catastrophe and ongoing threat of radiation.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?