Haejun JO & KyeongSoo LEE

The narrative of the film is based on an oral memory about a real event that happened in the 1970s in Jinan in Jeonbuk Province, South Korea. In the film, Haejun JO and KyeongSoo LEE discover a small boat in reclaimed land near a US military base in the city of Gunsan.

Piagol

One of the few partisan units left in Mt. Jiri after the signing of the Armistice, the unit led by a captain nicknamed “Agari” commits all manner of atrocities. One day, a female partisan soldier named So-ju, who had been transferred to another unit, finds her way back to Piagol with a bullet wound in her shoulder.

Jesse Jones

Jesse Jones’ 16mm film The Spectre and the Sphere evokes the spectres of ideology and amplifies residual voices that haunt the cultural vessels of history. It examines how the spaces of our popular imagining, such as the theater and the cinema, are also containers of historical and political impulses.

Dinh Q. L?

In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.

CHE Onejoon

The North Korean-made buildings and monuments in African countries are public buildings and monuments related to the history of their respective countries. However, they are the only places for South Koreans to see North Korean large-scale monuments in reality, since South Koreans are not allowed to visit the North due to division of the two Koreas. The monuments and buildings in African countries actually display more of North Korean socialist realism than African qualities.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?