Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

Choi Min-Hwa

The painting materializes the lyrics of a hymn in the scriptures of Cheondogyo, a religion based on the Donghak movement. The work references research on Oh Yoon’s woodcut prints, which was one of the studies to explore traditional formalism, one of the main interests of Minjung art in the 1980s.

Naito Masatoshi

This series was shot from 1968 to 1970. The aged women listen to the words of the dead, their fathers and husbands who died in the war or their sons who were fishermen shipwrecked due to a sudden change of the weather, and the children or grandchildren who died from disease.

Genre Sub Genre

Genre Sub Genre is a short film consisting of four episodes documenting the predictions of a land in the Southeast of Indonesia. An experimental video work, it was included in the movie and photography project hosted by the Nusa Tenggara Timur Museum of Indonesia.

Rho Jae Oon

As I see it, “wand” is a symbol that represents the phenomenon called special effects. Through Wands, I ironically imagine a different kind of special effect within a space time where visible special effects have vanished.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?