Jesse Jones

Jesse Jones’ 16mm film The Spectre and the Sphere evokes the spectres of ideology and amplifies residual voices that haunt the cultural vessels of history. It examines how the spaces of our popular imagining, such as the theater and the cinema, are also containers of historical and political impulses.

Mikhail Karikis

In Children of Unquiet, Karikis collaborated with the children of the remaining families living in the area around the geothermal power plant to create a film that orchestrates a children’s “take-over” of a deserted workers’ village and its adjacent industrial and natural locations.

The Propeller Group

The camera is positioned directly in front of the targets inside the shooting area, situated face to face with tourists as they enter, pay, shoot, giggle, laugh, and react to their own acts of “firing.” The camera was placed behind bulletproof glass and pulled on a track, scanning the shooting booths as it glided nonchalantly back and forth.

Bae Young-whan

In Inwang Mountain, Seoul, the sacred and the secular live together. The past and present coexist. Both ideas and reality stay together while soldiers, shamans, hikers and Buddhist monks get along with one another. Even political conspiracies and religions have left their marks there.

10 Years of Video Art in Indonesia

Film director and artist Hafiz selected a collection of works titled ‘10 Years of Video Art in Indonesia,’ a joint project with the OK. Video Festival and an alternative artist group ruangrupa.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?