In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.
Filming started in the early 1980s and it took the director over thirty years to complete the film. Director Kidlat plays the role of Magellan’s slave Enrique, who was with Magellan when the Philippines was first discovered.
In the title Suzuki Knife, Social Cooking, Suzuki (sea bass) refers to the name of the murderer Suzuki Denzo and the knife indicates the murder weapon or the kitchen knife. Tamura met an old blacksmith who still makes kitchen knives in a traditional way in the very city of Seki and requested him to produce a kitchen knife for cutting and trimming sea bass.
Through filming landscapes, Adachi sought to reveal the structures of oppression that underpin and perpetuate the political system. Anabasis? It is the name given, since Xenophon, to wandering, circuitous homeward journeys.
So the matter of colonization became a replacement for the issue of not using Japanese ways of speaking or watching movies commemorating Yoo Kwan Soon. Identical indicators of sub-main agents (margin, women and the non-center) who have been oppressed and excluded in the nation-state are examined through historical context.
Mediacity Seoul 2014 screening information has been updated. On 15th October, a Q&A session with Antoine Coppola will […]
Dinh Q. L?’s Barricade(2014) on the 1st floor of SeMA includes sound work. French/Algerian Musician Ham?, the co-worker […]
Grandmothers’ Lounge is on the 2nd floor of SeMA. Audio guide and audio guide textbook are available. […]
A free audio guide is provided in the voices of actors Hae-il Park (Korean) and Moon Choi (English). Identification is required to rent theaudio set. (Supplies Limited). The audio guide is also available on the Mediacity Seoul website.