Ieoh Island

This film is a bizarre piece by director Kim Ki-young who freely interpreted the novelist Yi Cheong-jun’s original story. Adopting the frame of a mystery drama and crossing over different time periods, Kim combines shamanism, the salvation of human beings, and even ecology in the film.


CHE Onejoon

The North Korean-made buildings and monuments in African countries are public buildings and monuments related to the history of their respective countries. However, they are the only places for South Koreans to see North Korean large-scale monuments in reality, since South Koreans are not allowed to visit the North due to division of the two Koreas. The monuments and buildings in African countries actually display more of North Korean socialist realism than African qualities.


Apologies

The passage of time does not heal all wounds; it cannot settle all accounts or resolve all disputes. But the identities of the perceived perpetrators can change, and a national apology is to document and put on record a symbolic act as a prelude to possible reconciliation and forgiveness.


The Border City 2

In 2003, Prof. Song Du-yul decided to go back to his homeland after spending thirty seven years in Germany in spite of an arrest warrant that had been issued. But within a week he fell from a respected advocate of democracy to the biggest spy ever. This threw Korean society into a turmoil of red paranoia.


Utama: Every Name in History is I

A genre-blending mixture of fiction, documentary, filmic tableaus, philosophical meditation, political allegory, mythical fantasy, costume parade, dramatic enactments and film essay, this film sets into motion an inquiry into a subterranean network of issues related to myths, history, origins and power.