Director Shin Sang-ok, who made some of the best commercial films in the 1960s, delivers the topics of never-ending stories such as the dynamics of a ruler and subjects, and power and sex through the sentiments of a horror movie.
Through this ‘dance’ of bells, Yang’s work allusively suggests the topic of sound as the beginning force that opens up the world (as it is told in many ancient myths). Such an interest in this ‘cosmology’ also manifests as a representation of ‘orbit’ in Yang’s works. The arrangement of works gives an impression that they could move along the trajectory drawn by the vinyl tape on the floor.
As I see it, “wand” is a symbol that represents the phenomenon called special effects. Through Wands, I ironically imagine a different kind of special effect within a space time where visible special effects have vanished.
Immortals’ Feast on Yoji Pond is known to have been created during the Yuan dynasty. It gained popularity during the Ming dynasty. In Korea, it first appeared in court painting during the Joseon Dynasty and was used as a background image for folding screens during the late Joseon period.
The clay tower and the body in the photo construct a sculptural reality that emerges through the changes and movements of the body and its posture for supporting the clay tower and through the time drawn by the body to support such characteristics.
Mediacity Seoul 2014 screening information has been updated. On 15th October, a Q&A session with Antoine Coppola will […]
Dinh Q. L?’s Barricade(2014) on the 1st floor of SeMA includes sound work. French/Algerian Musician Ham?, the co-worker […]
Grandmothers’ Lounge is on the 2nd floor of SeMA. Audio guide and audio guide textbook are available. […]
A free audio guide is provided in the voices of actors Hae-il Park (Korean) and Moon Choi (English). Identification is required to rent theaudio set. (Supplies Limited). The audio guide is also available on the Mediacity Seoul website.