Rho Jae Oon

As I see it, “wand” is a symbol that represents the phenomenon called special effects. Through Wands, I ironically imagine a different kind of special effect within a space time where visible special effects have vanished.

YAO Jui-chung

The centenary of Hsinhai Revolution has passed; the Cold War has long ended, neoliberalism has conquered the world, and the logic of global capitalism has become a universal currency. But what is the transcendental rule of history? Could there be an everlasting dynasty of Nationalism?

The Border City 2

In 2003, Prof. Song Du-yul decided to go back to his homeland after spending thirty seven years in Germany in spite of an arrest warrant that had been issued. But within a week he fell from a respected advocate of democracy to the biggest spy ever. This threw Korean society into a turmoil of red paranoia.

Haejun JO & KyeongSoo LEE

The narrative of the film is based on an oral memory about a real event that happened in the 1970s in Jinan in Jeonbuk Province, South Korea. In the film, Haejun JO and KyeongSoo LEE discover a small boat in reclaimed land near a US military base in the city of Gunsan.

Apologies

The passage of time does not heal all wounds; it cannot settle all accounts or resolve all disputes. But the identities of the perceived perpetrators can change, and a national apology is to document and put on record a symbolic act as a prelude to possible reconciliation and forgiveness.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?