Habitual Sadness 2

They are no different from the elderly women we see everyday. However, they are all marked by pain and sorrow from their shared history of being “comfort women” during World War II. They became subject to prejudice in their own homeland after their return to Korea.


Dinh Q. L?

In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.


Choi Sunghun + Park Sunmin

Electric cords create a unique impressive landscape of Korea. Most electric cords are entangled in a surprisingly complex way.We often witness magpies or sparrows perching on the lines. Considering the strong electric power flowing inside the line cover, the idyllic scene of the birds would soon turn into a risky play prior to an impending dangerous disaster.


Zero Dimension / Kato Yoshihiro

Such activities marked a climax in 1970 when they organized the anti-Expo alliance to crush up the Osaka Exposition. While many avant-garde artists gave up confrontation with capitalism and were agitated by the Expo, Zero Dimension continued their “rituals” at many local universities and Expo venues in association with Zenkyoto (A Student-body Struggle Committee, 1968?1969).


Searching for Dead Dogs

My grandmother’s home has a mystery. Whenever my grandmother takes care of a dog, it dies. This project explores essayistic personal documentary film as an artful and moving humanly rich form, following the track of grandmother’s life story.