Haejun JO & KyeongSoo LEE

The narrative of the film is based on an oral memory about a real event that happened in the 1970s in Jinan in Jeonbuk Province, South Korea. In the film, Haejun JO and KyeongSoo LEE discover a small boat in reclaimed land near a US military base in the city of Gunsan.

YAO Jui-chung

The centenary of Hsinhai Revolution has passed; the Cold War has long ended, neoliberalism has conquered the world, and the logic of global capitalism has become a universal currency. But what is the transcendental rule of history? Could there be an everlasting dynasty of Nationalism?

Vampire

Somewhere along the border of Thailand and Myanmar lives a creature called Nok Phii (Ghost Bird) or there used to. Nok Phii feeds on other animals’ blood and even attacks human beings.

siren eun young jung

Le Nouveau Monde Amoureux depends on the unique aesthetics of tradition and performativity in pansori, a genre of traditional music in Korea. The work as a performance appropriates the content and form of Chunhyang-ga, the most well-known piece of pansori among the five songs left today. However, it reveals that the development of the typical romantic narrative is embedded with a constant struggle against the class consciousness of the period.

Haegue Yang

Through this ‘dance’ of bells, Yang’s work allusively suggests the topic of sound as the beginning force that opens up the world (as it is told in many ancient myths). Such an interest in this ‘cosmology’ also manifests as a representation of ‘orbit’ in Yang’s works. The arrangement of works gives an impression that they could move along the trajectory drawn by the vinyl tape on the floor.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?