Mikhail Karikis

In Children of Unquiet, Karikis collaborated with the children of the remaining families living in the area around the geothermal power plant to create a film that orchestrates a children’s “take-over” of a deserted workers’ village and its adjacent industrial and natural locations.

Yoneda Tomoko

We frail humans were witness to a horror that could not have been foreseen even with all of our knowledge and imagination, and to the existence of a phenomenon so immense that individuals were powerless to resist it.

Dinh Q. L?

In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.

Utama: Every Name in History is I

A genre-blending mixture of fiction, documentary, filmic tableaus, philosophical meditation, political allegory, mythical fantasy, costume parade, dramatic enactments and film essay, this film sets into motion an inquiry into a subterranean network of issues related to myths, history, origins and power.

Lina Selander

Lenin’s Lamp Glows in the Peasant’s Hut is a work with many points of entry. In the text piece that can be viewed as a sketch for the film, the conceptual content of the film is presented as a number of mineshafts, various vertical movements that are joined together and create a system of meanings into which viewers may descend.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?