Haegue Yang

Through this ‘dance’ of bells, Yang’s work allusively suggests the topic of sound as the beginning force that opens up the world (as it is told in many ancient myths). Such an interest in this ‘cosmology’ also manifests as a representation of ‘orbit’ in Yang’s works. The arrangement of works gives an impression that they could move along the trajectory drawn by the vinyl tape on the floor.

YAO Jui-chung

The centenary of Hsinhai Revolution has passed; the Cold War has long ended, neoliberalism has conquered the world, and the logic of global capitalism has become a universal currency. But what is the transcendental rule of history? Could there be an everlasting dynasty of Nationalism?

Haejun JO & KyeongSoo LEE

The narrative of the film is based on an oral memory about a real event that happened in the 1970s in Jinan in Jeonbuk Province, South Korea. In the film, Haejun JO and KyeongSoo LEE discover a small boat in reclaimed land near a US military base in the city of Gunsan.

Joanna Lombard

The work of Swedish artist Joanna Lombard plays with the imaginary border between collective and individual imagination. With childhood memories as a point of departure for her work, Lombard’s oeuvre floats in-between a world of psychological repression, psychoanalytical liberation and cinematographic catharsis.

The Act of Killing

Cinema has traditionally been dominated by films about good versus evil, the good fighting against the bad. However, the good and the bad only exist in stories. In reality, every evil act in history has been committed by human beings like ourselves.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?