DocLab’s Works

Based in Hanoi, DOCLAB is an art center for documentaries, experimental films and videos. Founded in 2009, DOCLAB has been working to take film and its audience back into the realm of the individual. Taking documentaries beyond “objectivities,” Hanoi DOCLAB explores the unknown in-between spaces: between objective observance and subjective experience, fiction and non-fiction, the public and the private.


Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.


How to Disappear Completely

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol. She decides to put on a stage play based on an old Philippine film about a family who disappears in the mountain during the war.


Dinh Q. L?

In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.


Jakrawal NILTHAMRONG

The film pays homage to sci-fi film techniques in the 1960s and 1970s when filmmakers experimented with “Organic Effects” to depict life in space as well as American experimental filmmakers who explored film media as a conceptual art form.