Jakrawal NILTHAMRONG

The film pays homage to sci-fi film techniques in the 1960s and 1970s when filmmakers experimented with “Organic Effects” to depict life in space as well as American experimental filmmakers who explored film media as a conceptual art form.

Naito Masatoshi

This series was shot from 1968 to 1970. The aged women listen to the words of the dead, their fathers and husbands who died in the war or their sons who were fishermen shipwrecked due to a sudden change of the weather, and the children or grandchildren who died from disease.

Earth

Upon the site lie fifty human beings oscillating between consciousness and unconsciousness, life and death. Each of them emerges into the foreground clutching a fist, batting an eyelid, or weeping for his neighbor.

Zero Dimension / Kato Yoshihiro

Such activities marked a climax in 1970 when they organized the anti-Expo alliance to crush up the Osaka Exposition. While many avant-garde artists gave up confrontation with capitalism and were agitated by the Expo, Zero Dimension continued their “rituals” at many local universities and Expo venues in association with Zenkyoto (A Student-body Struggle Committee, 1968?1969).

Shakespeare Must Die

A dictator sits alone in his dark mansion, grieving for his mad, dead wife, as a mass uprising rages against him. Elsewhere in a theatre, Shakespeare’s Macbeth is being staged; its scenes intercut with his flashbacks to tell the story of an ambitious general who, prompted by witches, kills the king to crown himself.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?