Moranbong, une aventure cor?enne

At the beginning of the Korean war, the love story between a young worker and the daughter of a musician unfolds in the city of Kaesong. Moranbong, une aventure cor?enne is intriguing and extraordinary as much for its form as its background of production. It was a film that was almost made by accident.


Kim In-whoe

Until the late 1960s, records of Korean shamanism were limited to materials by Japanese folklorists in the 1920s and 1930s and a small number of scholars in Korean Studies. A young educationalist in those days, Kim In-whoe felt the Western educational paradigm was limitedly applied to Korean society and became interested in Koreans’ traditional religious beliefs, or shamanism.


Trip to the Wound

This is one of a series of compilations: seven short fiction films and three short documentaries. It is directed by ten filmmakers, visual artists and musicians to honor the tenth anniversary of the Indonesian Reform era.


Haegue Yang

Through this ‘dance’ of bells, Yang’s work allusively suggests the topic of sound as the beginning force that opens up the world (as it is told in many ancient myths). Such an interest in this ‘cosmology’ also manifests as a representation of ‘orbit’ in Yang’s works. The arrangement of works gives an impression that they could move along the trajectory drawn by the vinyl tape on the floor.


Mikhail Karikis

In Children of Unquiet, Karikis collaborated with the children of the remaining families living in the area around the geothermal power plant to create a film that orchestrates a children’s “take-over” of a deserted workers’ village and its adjacent industrial and natural locations.