Kim Soo-nam

While witnessing the government’s policy to eradicate shamanism, Kim Soo-nam began to capture with his camera the scenes of shamanism as traditional Korean religion and culture that was disappearing.

Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

Pictures at an Exhibition

The old lady selling flowers on the street let their children in her hometown. They came this much later on / The number one national treasure also burned up this much but came back / She said she could not get back to the hometown.

Special investigation headquarter A life of Miss Kim Su-Im

Kim Su-Im was working for the US Army Military Government in Korea in the 1940s. She was arrested while giving information to the Workers Party of South Korea as the mistress of an American colonel Baird. The film consists of Su-Im’s recollection of the past.

731: Two Versions of Hell

731: Two Versions of Hell is both a documentary about Japan’s World War II biological weapons facility called Unit 731 and a demonstration of the power of historical revisionism. What constitutes historical truth and the ability of documentary film to represent it?

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?