SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.


Special investigation headquarter A life of Miss Kim Su-Im

Kim Su-Im was working for the US Army Military Government in Korea in the 1940s. She was arrested while giving information to the Workers Party of South Korea as the mistress of an American colonel Baird. The film consists of Su-Im’s recollection of the past.


Earth

Upon the site lie fifty human beings oscillating between consciousness and unconsciousness, life and death. Each of them emerges into the foreground clutching a fist, batting an eyelid, or weeping for his neighbor.


Tamura Yuichiro

In the title Suzuki Knife, Social Cooking, Suzuki (sea bass) refers to the name of the murderer Suzuki Denzo and the knife indicates the murder weapon or the kitchen knife. Tamura met an old blacksmith who still makes kitchen knives in a traditional way in the very city of Seki and requested him to produce a kitchen knife for cutting and trimming sea bass.


Unfinished Work

So the matter of colonization became a replacement for the issue of not using Japanese ways of speaking or watching movies commemorating Yoo Kwan Soon. Identical indicators of sub-main agents (margin, women and the non-center) who have been oppressed and excluded in the nation-state are examined through historical context.