Kim In-whoe

Until the late 1960s, records of Korean shamanism were limited to materials by Japanese folklorists in the 1920s and 1930s and a small number of scholars in Korean Studies. A young educationalist in those days, Kim In-whoe felt the Western educational paradigm was limitedly applied to Korean society and became interested in Koreans’ traditional religious beliefs, or shamanism.

Apologies

The passage of time does not heal all wounds; it cannot settle all accounts or resolve all disputes. But the identities of the perceived perpetrators can change, and a national apology is to document and put on record a symbolic act as a prelude to possible reconciliation and forgiveness.

Joo Jae-hwan

Thus
the heaven and earth lost their colors
and the sun and the moon lost their light.

Kim Soo-nam

While witnessing the government’s policy to eradicate shamanism, Kim Soo-nam began to capture with his camera the scenes of shamanism as traditional Korean religion and culture that was disappearing.

Shakespeare Must Die

A dictator sits alone in his dark mansion, grieving for his mad, dead wife, as a mass uprising rages against him. Elsewhere in a theatre, Shakespeare’s Macbeth is being staged; its scenes intercut with his flashbacks to tell the story of an ambitious general who, prompted by witches, kills the king to crown himself.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?