Apologies

The passage of time does not heal all wounds; it cannot settle all accounts or resolve all disputes. But the identities of the perceived perpetrators can change, and a national apology is to document and put on record a symbolic act as a prelude to possible reconciliation and forgiveness.

Lina Selander

Lenin’s Lamp Glows in the Peasant’s Hut is a work with many points of entry. In the text piece that can be viewed as a sketch for the film, the conceptual content of the film is presented as a number of mineshafts, various vertical movements that are joined together and create a system of meanings into which viewers may descend.

Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

The Border City 2

In 2003, Prof. Song Du-yul decided to go back to his homeland after spending thirty seven years in Germany in spite of an arrest warrant that had been issued. But within a week he fell from a respected advocate of democracy to the biggest spy ever. This threw Korean society into a turmoil of red paranoia.

Basim Magdy

Starting with shiny rooftops and ending with the seemingly insignificant demise of the last circus elephant of its kind, The Dent weaves loosely linked events and irrational occurrences to reflect on collective failure and hopefulness. An anonymous little town struggles for international recognition as it becomes obvious that failure is a monster too big to slaughter.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?