Joanna Lombard

The work of Swedish artist Joanna Lombard plays with the imaginary border between collective and individual imagination. With childhood memories as a point of departure for her work, Lombard’s oeuvre floats in-between a world of psychological repression, psychoanalytical liberation and cinematographic catharsis.

Shakespeare Must Die

A dictator sits alone in his dark mansion, grieving for his mad, dead wife, as a mass uprising rages against him. Elsewhere in a theatre, Shakespeare’s Macbeth is being staged; its scenes intercut with his flashbacks to tell the story of an ambitious general who, prompted by witches, kills the king to crown himself.

siren eun young jung

Le Nouveau Monde Amoureux depends on the unique aesthetics of tradition and performativity in pansori, a genre of traditional music in Korea. The work as a performance appropriates the content and form of Chunhyang-ga, the most well-known piece of pansori among the five songs left today. However, it reveals that the development of the typical romantic narrative is embedded with a constant struggle against the class consciousness of the period.

Unknown (Yojiyundo)

Immortals’ Feast on Yoji Pond is known to have been created during the Yuan dynasty. It gained popularity during the Ming dynasty. In Korea, it first appeared in court painting during the Joseon Dynasty and was used as a background image for folding screens during the late Joseon period.

How to Disappear Completely

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol. She decides to put on a stage play based on an old Philippine film about a family who disappears in the mountain during the war.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?