SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.

Mikhail Karikis

In Children of Unquiet, Karikis collaborated with the children of the remaining families living in the area around the geothermal power plant to create a film that orchestrates a children’s “take-over” of a deserted workers’ village and its adjacent industrial and natural locations.

Eric Baudelaire

Through filming landscapes, Adachi sought to reveal the structures of oppression that underpin and perpetuate the political system. Anabasis? It is the name given, since Xenophon, to wandering, circuitous homeward journeys.

siren eun young jung

Le Nouveau Monde Amoureux depends on the unique aesthetics of tradition and performativity in pansori, a genre of traditional music in Korea. The work as a performance appropriates the content and form of Chunhyang-ga, the most well-known piece of pansori among the five songs left today. However, it reveals that the development of the typical romantic narrative is embedded with a constant struggle against the class consciousness of the period.

Haunted Houses

All sixty six villagers from six villages participated, playing roles. The story was continuous but the actors who played the characters were constantly changed as the filming location moved from one village to another.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?