Haunted Houses

All sixty six villagers from six villages participated, playing roles. The story was continuous but the actors who played the characters were constantly changed as the filming location moved from one village to another.


The Propeller Group

The camera is positioned directly in front of the targets inside the shooting area, situated face to face with tourists as they enter, pay, shoot, giggle, laugh, and react to their own acts of “firing.” The camera was placed behind bulletproof glass and pulled on a track, scanning the shooting booths as it glided nonchalantly back and forth.


Ieoh Island

This film is a bizarre piece by director Kim Ki-young who freely interpreted the novelist Yi Cheong-jun’s original story. Adopting the frame of a mystery drama and crossing over different time periods, Kim combines shamanism, the salvation of human beings, and even ecology in the film.


Choi Gene-uk

Around the time of the Inter-Korean Summit, the kinds of ‘art’ presented to the South Korean public were benign travel sketches by a few painters. The painters depicted the people or landscape of North Korea as “peaceful scenery of a foreign country” as if they were camels along the Silk Route. But there is something “impure” in the paintings, different from other ideologically “pure” paintings produced by other artists around the time.


Rho Jae Oon

As I see it, “wand” is a symbol that represents the phenomenon called special effects. Through Wands, I ironically imagine a different kind of special effect within a space time where visible special effects have vanished.