Choi Min-Hwa

The painting materializes the lyrics of a hymn in the scriptures of Cheondogyo, a religion based on the Donghak movement. The work references research on Oh Yoon’s woodcut prints, which was one of the studies to explore traditional formalism, one of the main interests of Minjung art in the 1980s.

Rho Jae Oon

As I see it, “wand” is a symbol that represents the phenomenon called special effects. Through Wands, I ironically imagine a different kind of special effect within a space time where visible special effects have vanished.

Min Joung-Ki

The top right corner shows the valley and water running from the upper side of the mountain; the left side expresses a scene where water falling from the high Bibong Peak joins with the stream, in magnification.

Sang-il Choi, Jiyeon Kim

Materials in the listening archive Grandmothers’ Lounge: From the Other Side of Voices were selected by radio producer Sang-il Choi out of the three radio programs he produced at MBC from 1989 to 2005, Korean Traditional Folksongs, Baekdu-Daegan Folk Travel, and Korean Traditional Singers.

731: Two Versions of Hell

731: Two Versions of Hell is both a documentary about Japan’s World War II biological weapons facility called Unit 731 and a demonstration of the power of historical revisionism. What constitutes historical truth and the ability of documentary film to represent it?

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?