CHUNG Seoyoung

The clay tower and the body in the photo construct a sculptural reality that emerges through the changes and movements of the body and its posture for supporting the clay tower and through the time drawn by the body to support such characteristics.

The Last Witness

The film was completed right after the Gwangju Uprising in 1980 but this film, which captured the ordeals in the modern history of Korea, became a mess due to censorship. The controversial film was not released to the public until it was restored in 2006.

Naito Masatoshi

This series was shot from 1968 to 1970. The aged women listen to the words of the dead, their fathers and husbands who died in the war or their sons who were fishermen shipwrecked due to a sudden change of the weather, and the children or grandchildren who died from disease.

Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.

Haejun JO & KyeongSoo LEE

The narrative of the film is based on an oral memory about a real event that happened in the 1970s in Jinan in Jeonbuk Province, South Korea. In the film, Haejun JO and KyeongSoo LEE discover a small boat in reclaimed land near a US military base in the city of Gunsan.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?