Pictures at an Exhibition

The old lady selling flowers on the street let their children in her hometown. They came this much later on / The number one national treasure also burned up this much but came back / She said she could not get back to the hometown.

Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

The Radiant

The Radiant explores the aftermath of March 11, 2011, when the Great Tohoku Earthquake struck the Northeast Coast of Japan at 2:46 pm, triggering a tsunami that killed tens of thousands and causing the partial meltdown of the Fukushima Daiichi nuclear power plant.

The Propeller Group

The camera is positioned directly in front of the targets inside the shooting area, situated face to face with tourists as they enter, pay, shoot, giggle, laugh, and react to their own acts of “firing.” The camera was placed behind bulletproof glass and pulled on a track, scanning the shooting booths as it glided nonchalantly back and forth.

Haejun JO & KyeongSoo LEE

The narrative of the film is based on an oral memory about a real event that happened in the 1970s in Jinan in Jeonbuk Province, South Korea. In the film, Haejun JO and KyeongSoo LEE discover a small boat in reclaimed land near a US military base in the city of Gunsan.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?