Jesse Jones

Jesse Jones’ 16mm film The Spectre and the Sphere evokes the spectres of ideology and amplifies residual voices that haunt the cultural vessels of history. It examines how the spaces of our popular imagining, such as the theater and the cinema, are also containers of historical and political impulses.


CHE Onejoon

The North Korean-made buildings and monuments in African countries are public buildings and monuments related to the history of their respective countries. However, they are the only places for South Koreans to see North Korean large-scale monuments in reality, since South Koreans are not allowed to visit the North due to division of the two Koreas. The monuments and buildings in African countries actually display more of North Korean socialist realism than African qualities.


Andrea’s Sky

Andrea’s Sky deals with the unusual circumstances which led Andrea, a young Bavarian woman, to become a Korean shaman. It is a personal and cultural revolution with a life and death issue.


CHUNG Seoyoung

The clay tower and the body in the photo construct a sculptural reality that emerges through the changes and movements of the body and its posture for supporting the clay tower and through the time drawn by the body to support such characteristics.


Mismatched Nose

Although this film won an award as an excellent anticommunist film, being classified as one of many anticommunist films produced in the 1970s, the director shows his cynical irony by paradoxically revealing the emptiness of anticommunist ideology.