Choi Gene-uk

Around the time of the Inter-Korean Summit, the kinds of ‘art’ presented to the South Korean public were benign travel sketches by a few painters. The painters depicted the people or landscape of North Korea as “peaceful scenery of a foreign country” as if they were camels along the Silk Route. But there is something “impure” in the paintings, different from other ideologically “pure” paintings produced by other artists around the time.

Moranbong, une aventure cor?enne

At the beginning of the Korean war, the love story between a young worker and the daughter of a musician unfolds in the city of Kaesong. Moranbong, une aventure cor?enne is intriguing and extraordinary as much for its form as its background of production. It was a film that was almost made by accident.

Rainy Season

The film deals with shamanism and the barbarous time of Korean history?struggles and suppression of armed guerrillas, massacres of civilians due to mutual revenges, and the division of the Korean peninsula along with extreme ideological conflicts?and pursues true reconciliation between people.

731: Two Versions of Hell

731: Two Versions of Hell is both a documentary about Japan’s World War II biological weapons facility called Unit 731 and a demonstration of the power of historical revisionism. What constitutes historical truth and the ability of documentary film to represent it?

SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?