Kim Soo-nam

While witnessing the government’s policy to eradicate shamanism, Kim Soo-nam began to capture with his camera the scenes of shamanism as traditional Korean religion and culture that was disappearing.

Kim In-whoe

Until the late 1960s, records of Korean shamanism were limited to materials by Japanese folklorists in the 1920s and 1930s and a small number of scholars in Korean Studies. A young educationalist in those days, Kim In-whoe felt the Western educational paradigm was limitedly applied to Korean society and became interested in Koreans’ traditional religious beliefs, or shamanism.

SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.

The Propeller Group

The camera is positioned directly in front of the targets inside the shooting area, situated face to face with tourists as they enter, pay, shoot, giggle, laugh, and react to their own acts of “firing.” The camera was placed behind bulletproof glass and pulled on a track, scanning the shooting booths as it glided nonchalantly back and forth.

Tour of Duty

There remains only silence in a US military camp town in the northern part of Gyeonggi province that will be torn down any time soon. In the town, three women are still living with pains engraved in their bodies.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?