CHUNG Seoyoung

The clay tower and the body in the photo construct a sculptural reality that emerges through the changes and movements of the body and its posture for supporting the clay tower and through the time drawn by the body to support such characteristics.


Kim Soo-nam

While witnessing the government’s policy to eradicate shamanism, Kim Soo-nam began to capture with his camera the scenes of shamanism as traditional Korean religion and culture that was disappearing.


Basim Magdy

Starting with shiny rooftops and ending with the seemingly insignificant demise of the last circus elephant of its kind, The Dent weaves loosely linked events and irrational occurrences to reflect on collective failure and hopefulness. An anonymous little town struggles for international recognition as it becomes obvious that failure is a monster too big to slaughter.


Sang-il Choi, Jiyeon Kim

Materials in the listening archive Grandmothers’ Lounge: From the Other Side of Voices were selected by radio producer Sang-il Choi out of the three radio programs he produced at MBC from 1989 to 2005, Korean Traditional Folksongs, Baekdu-Daegan Folk Travel, and Korean Traditional Singers.


How to Disappear Completely

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol. She decides to put on a stage play based on an old Philippine film about a family who disappears in the mountain during the war.