CHUNG Seoyoung

The clay tower and the body in the photo construct a sculptural reality that emerges through the changes and movements of the body and its posture for supporting the clay tower and through the time drawn by the body to support such characteristics.

Earth

Upon the site lie fifty human beings oscillating between consciousness and unconsciousness, life and death. Each of them emerges into the foreground clutching a fist, batting an eyelid, or weeping for his neighbor.

Memories of Over-Development

Filming started in the early 1980s and it took the director over thirty years to complete the film. Director Kidlat plays the role of Magellan’s slave Enrique, who was with Magellan when the Philippines was first discovered.

Nina Fischer & Maroan el Sani

The screening triggered an identification-process of the fugitives with the protagonist of Kurosawa’s movie, as they recognized their similar desperate situation. It was followed by an experimental setup of cinematic improvisations with refugees and actors, focusing on the exploration of fears and uncertainties surrounding the nuclear catastrophe and ongoing threat of radiation.

CHE Onejoon

The North Korean-made buildings and monuments in African countries are public buildings and monuments related to the history of their respective countries. However, they are the only places for South Koreans to see North Korean large-scale monuments in reality, since South Koreans are not allowed to visit the North due to division of the two Koreas. The monuments and buildings in African countries actually display more of North Korean socialist realism than African qualities.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?