SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.

A blanket area

There were so many cameras at the Candle Demonstration in 2008. I also had a camera but I could only shoot at daytime because I brought a super 8 film camera. I could never film the candle or water bomb parades in early June when the daytime was not so long.

Dinh Q. L?

In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.

The Border City 2

In 2003, Prof. Song Du-yul decided to go back to his homeland after spending thirty seven years in Germany in spite of an arrest warrant that had been issued. But within a week he fell from a respected advocate of democracy to the biggest spy ever. This threw Korean society into a turmoil of red paranoia.

Min Joung-Ki

The top right corner shows the valley and water running from the upper side of the mountain; the left side expresses a scene where water falling from the high Bibong Peak joins with the stream, in magnification.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?