SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.

Min Joung-Ki

The top right corner shows the valley and water running from the upper side of the mountain; the left side expresses a scene where water falling from the high Bibong Peak joins with the stream, in magnification.

Genre Sub Genre

Genre Sub Genre is a short film consisting of four episodes documenting the predictions of a land in the Southeast of Indonesia. An experimental video work, it was included in the movie and photography project hosted by the Nusa Tenggara Timur Museum of Indonesia.

Yoneda Tomoko

We frail humans were witness to a horror that could not have been foreseen even with all of our knowledge and imagination, and to the existence of a phenomenon so immense that individuals were powerless to resist it.

Habitual Sadness 2

They are no different from the elderly women we see everyday. However, they are all marked by pain and sorrow from their shared history of being “comfort women” during World War II. They became subject to prejudice in their own homeland after their return to Korea.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?