Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.


Zero Dimension / Kato Yoshihiro

Such activities marked a climax in 1970 when they organized the anti-Expo alliance to crush up the Osaka Exposition. While many avant-garde artists gave up confrontation with capitalism and were agitated by the Expo, Zero Dimension continued their “rituals” at many local universities and Expo venues in association with Zenkyoto (A Student-body Struggle Committee, 1968?1969).


Pilar Mata Dupont

Mata Dupont has animated those monuments to play with utopian ideas of reunification, and the significance of the “embrace” as representation of the reunification in the South Korean national psyche.


The Radiant

The Radiant explores the aftermath of March 11, 2011, when the Great Tohoku Earthquake struck the Northeast Coast of Japan at 2:46 pm, triggering a tsunami that killed tens of thousands and causing the partial meltdown of the Fukushima Daiichi nuclear power plant.


Moranbong, une aventure cor?enne

At the beginning of the Korean war, the love story between a young worker and the daughter of a musician unfolds in the city of Kaesong. Moranbong, une aventure cor?enne is intriguing and extraordinary as much for its form as its background of production. It was a film that was almost made by accident.