Habitual Sadness 2

They are no different from the elderly women we see everyday. However, they are all marked by pain and sorrow from their shared history of being “comfort women” during World War II. They became subject to prejudice in their own homeland after their return to Korea.

Basim Magdy

Starting with shiny rooftops and ending with the seemingly insignificant demise of the last circus elephant of its kind, The Dent weaves loosely linked events and irrational occurrences to reflect on collective failure and hopefulness. An anonymous little town struggles for international recognition as it becomes obvious that failure is a monster too big to slaughter.

A blanket area

There were so many cameras at the Candle Demonstration in 2008. I also had a camera but I could only shoot at daytime because I brought a super 8 film camera. I could never film the candle or water bomb parades in early June when the daytime was not so long.

Ghost of Asia

A video installation in collaboration with Christelle LHEUREUX. A ghost is wandering along the rocky coastline of a Thai island. The children see the ghost when they play at the coast.

SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?