Zero Dimension / Kato Yoshihiro

Such activities marked a climax in 1970 when they organized the anti-Expo alliance to crush up the Osaka Exposition. While many avant-garde artists gave up confrontation with capitalism and were agitated by the Expo, Zero Dimension continued their “rituals” at many local universities and Expo venues in association with Zenkyoto (A Student-body Struggle Committee, 1968?1969).

Eric Baudelaire

Through filming landscapes, Adachi sought to reveal the structures of oppression that underpin and perpetuate the political system. Anabasis? It is the name given, since Xenophon, to wandering, circuitous homeward journeys.

Kim In-whoe

Until the late 1960s, records of Korean shamanism were limited to materials by Japanese folklorists in the 1920s and 1930s and a small number of scholars in Korean Studies. A young educationalist in those days, Kim In-whoe felt the Western educational paradigm was limitedly applied to Korean society and became interested in Koreans’ traditional religious beliefs, or shamanism.

Joanna Lombard

The work of Swedish artist Joanna Lombard plays with the imaginary border between collective and individual imagination. With childhood memories as a point of departure for her work, Lombard’s oeuvre floats in-between a world of psychological repression, psychoanalytical liberation and cinematographic catharsis.

Rho Jae Oon

As I see it, “wand” is a symbol that represents the phenomenon called special effects. Through Wands, I ironically imagine a different kind of special effect within a space time where visible special effects have vanished.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?