SU Yu-Hsien

Fable can be a tiny imprint of a character; it can also be a profound political narrative. Included in its core are the shared history and consciousness of all Taiwanese. SU Yu-Hsien used these to connect folk traditions, ceremonial rituals, language and symbols, creating a unique narrative body in this work.


siren eun young jung

Le Nouveau Monde Amoureux depends on the unique aesthetics of tradition and performativity in pansori, a genre of traditional music in Korea. The work as a performance appropriates the content and form of Chunhyang-ga, the most well-known piece of pansori among the five songs left today. However, it reveals that the development of the typical romantic narrative is embedded with a constant struggle against the class consciousness of the period.


Tour of Duty

There remains only silence in a US military camp town in the northern part of Gyeonggi province that will be torn down any time soon. In the town, three women are still living with pains engraved in their bodies.


Unfinished Work

So the matter of colonization became a replacement for the issue of not using Japanese ways of speaking or watching movies commemorating Yoo Kwan Soon. Identical indicators of sub-main agents (margin, women and the non-center) who have been oppressed and excluded in the nation-state are examined through historical context.


Min Joung-Ki

The top right corner shows the valley and water running from the upper side of the mountain; the left side expresses a scene where water falling from the high Bibong Peak joins with the stream, in magnification.