Joanna Lombard

The work of Swedish artist Joanna Lombard plays with the imaginary border between collective and individual imagination. With childhood memories as a point of departure for her work, Lombard’s oeuvre floats in-between a world of psychological repression, psychoanalytical liberation and cinematographic catharsis.

Zero Dimension / Kato Yoshihiro

Such activities marked a climax in 1970 when they organized the anti-Expo alliance to crush up the Osaka Exposition. While many avant-garde artists gave up confrontation with capitalism and were agitated by the Expo, Zero Dimension continued their “rituals” at many local universities and Expo venues in association with Zenkyoto (A Student-body Struggle Committee, 1968?1969).

Utama: Every Name in History is I

A genre-blending mixture of fiction, documentary, filmic tableaus, philosophical meditation, political allegory, mythical fantasy, costume parade, dramatic enactments and film essay, this film sets into motion an inquiry into a subterranean network of issues related to myths, history, origins and power.

Pilar Mata Dupont

Mata Dupont has animated those monuments to play with utopian ideas of reunification, and the significance of the “embrace” as representation of the reunification in the South Korean national psyche.

Unknown (Yojiyundo)

Immortals’ Feast on Yoji Pond is known to have been created during the Yuan dynasty. It gained popularity during the Ming dynasty. In Korea, it first appeared in court painting during the Joseon Dynasty and was used as a background image for folding screens during the late Joseon period.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?