Choi Min-Hwa

The painting materializes the lyrics of a hymn in the scriptures of Cheondogyo, a religion based on the Donghak movement. The work references research on Oh Yoon’s woodcut prints, which was one of the studies to explore traditional formalism, one of the main interests of Minjung art in the 1980s.

Thousand Years Old Fox

Director Shin Sang-ok, who made some of the best commercial films in the 1960s, delivers the topics of never-ending stories such as the dynamics of a ruler and subjects, and power and sex through the sentiments of a horror movie.

Choi Sunghun + Park Sunmin

Electric cords create a unique impressive landscape of Korea. Most electric cords are entangled in a surprisingly complex way.We often witness magpies or sparrows perching on the lines. Considering the strong electric power flowing inside the line cover, the idyllic scene of the birds would soon turn into a risky play prior to an impending dangerous disaster.

Nina Fischer & Maroan el Sani

The screening triggered an identification-process of the fugitives with the protagonist of Kurosawa’s movie, as they recognized their similar desperate situation. It was followed by an experimental setup of cinematic improvisations with refugees and actors, focusing on the exploration of fears and uncertainties surrounding the nuclear catastrophe and ongoing threat of radiation.

Tamura Yuichiro

In the title Suzuki Knife, Social Cooking, Suzuki (sea bass) refers to the name of the murderer Suzuki Denzo and the knife indicates the murder weapon or the kitchen knife. Tamura met an old blacksmith who still makes kitchen knives in a traditional way in the very city of Seki and requested him to produce a kitchen knife for cutting and trimming sea bass.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?