Nina Fischer & Maroan el Sani

The screening triggered an identification-process of the fugitives with the protagonist of Kurosawa’s movie, as they recognized their similar desperate situation. It was followed by an experimental setup of cinematic improvisations with refugees and actors, focusing on the exploration of fears and uncertainties surrounding the nuclear catastrophe and ongoing threat of radiation.

Scenes of Between

A father told an anecdote to his son. The story is a kind of absurd folktale that is hard to believe as historical fact. The documentary is about the narrative based on “facts” that have been passed on orally.

Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.

Haunted Houses

All sixty six villagers from six villages participated, playing roles. The story was continuous but the actors who played the characters were constantly changed as the filming location moved from one village to another.

Pea

The “Pea” refers to the spirits living in the forest of Thailand. The spirit Pea sleeping among the trees is not visible to the human adult. In this film, which was shot in the village of Surin in northeastern Thailand, a boy from the village was painted black on his whole body and walked among the adults.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?