Kim In-whoe

Until the late 1960s, records of Korean shamanism were limited to materials by Japanese folklorists in the 1920s and 1930s and a small number of scholars in Korean Studies. A young educationalist in those days, Kim In-whoe felt the Western educational paradigm was limitedly applied to Korean society and became interested in Koreans’ traditional religious beliefs, or shamanism.


Bae Young-whan

In Inwang Mountain, Seoul, the sacred and the secular live together. The past and present coexist. Both ideas and reality stay together while soldiers, shamans, hikers and Buddhist monks get along with one another. Even political conspiracies and religions have left their marks there.


Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.


YOUNG-HAE CHANG HEAVY INDUSTRIES

MAKING SENSE WHEN THERE’S YOU, NONSENSE, AND LONELINESS is a 90-second Flash intro to the Mediacity Seoul website. It presents Mediacity Seoul as a space for free thinking.


Mae Nak

Mae Nak is a deconstruction of the one of Thailand’s most popular ghost story “Mae Nak Phra Khanong” as well as the most popular genre of ghost films (more than twenty versions exist). The story is about the jealous spirit of a woman who died in childbirth while her husband was away in the battlefield.