Dinh Q. L?

In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.

Kim Soo-nam

While witnessing the government’s policy to eradicate shamanism, Kim Soo-nam began to capture with his camera the scenes of shamanism as traditional Korean religion and culture that was disappearing.

Min Joung-Ki

The top right corner shows the valley and water running from the upper side of the mountain; the left side expresses a scene where water falling from the high Bibong Peak joins with the stream, in magnification.

Mikhail Karikis

In Children of Unquiet, Karikis collaborated with the children of the remaining families living in the area around the geothermal power plant to create a film that orchestrates a children’s “take-over” of a deserted workers’ village and its adjacent industrial and natural locations.

Naito Masatoshi

This series was shot from 1968 to 1970. The aged women listen to the words of the dead, their fathers and husbands who died in the war or their sons who were fishermen shipwrecked due to a sudden change of the weather, and the children or grandchildren who died from disease.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?