Kim Soo-nam

While witnessing the government’s policy to eradicate shamanism, Kim Soo-nam began to capture with his camera the scenes of shamanism as traditional Korean religion and culture that was disappearing.

A blanket area

There were so many cameras at the Candle Demonstration in 2008. I also had a camera but I could only shoot at daytime because I brought a super 8 film camera. I could never film the candle or water bomb parades in early June when the daytime was not so long.

Utama: Every Name in History is I

A genre-blending mixture of fiction, documentary, filmic tableaus, philosophical meditation, political allegory, mythical fantasy, costume parade, dramatic enactments and film essay, this film sets into motion an inquiry into a subterranean network of issues related to myths, history, origins and power.

Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

How to Disappear Completely

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol. She decides to put on a stage play based on an old Philippine film about a family who disappears in the mountain during the war.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?