Lina Selander

Lenin’s Lamp Glows in the Peasant’s Hut is a work with many points of entry. In the text piece that can be viewed as a sketch for the film, the conceptual content of the film is presented as a number of mineshafts, various vertical movements that are joined together and create a system of meanings into which viewers may descend.

Otty Widasari

Jabal Hadroh, Jabal Al Jannah (Green Mountain, Heaven Mountain) is a visual poem about (Muslim) women who in several places?geopolitically?cannot, may not, or do not want to walk alone. There must be men to accompany women either as guardians or her companions. But as a human, sometimes women also want and must and able to walk alone, if only to cleanse herself or feel the heavenly pleasure that exists in the world.

Medium Earth

The accumulation of moving images and sounds that makes up Medium Earth comprise an audiovisual essay on the millennial time of geology and the infrastructural unconscious of Southern California.

Nilbar G?re?

G?re?’s work focuses on the gap between the current picture, controlled by the state, and the direction of global changes. The mobile phone industry as a global force introduced mobility in access to communication. The three screen video installation Open Phone Booth (2010-2011) is about this tragicomic reality.

Mahardika Yudha

The video Sunrise Jive is considered to be important as it presents well issues connected to the socio-political history of Indonesia. The music in the Sunrise Jive is a memory of the times when military ruled.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?