Haunted Houses

All sixty six villagers from six villages participated, playing roles. The story was continuous but the actors who played the characters were constantly changed as the filming location moved from one village to another.

Jawshing Arthur Liou

Kora is deliberately shot and edited from a first person perspective, placing the viewer on the path of a pilgrim. The thin air of the dizzying altitude is made palpable through the hand-held camera technique. Only that which is closest in view has defined edges; the mountain remains a mirage receding into the heavens.

Choi Sunghun + Park Sunmin

Electric cords create a unique impressive landscape of Korea. Most electric cords are entangled in a surprisingly complex way.We often witness magpies or sparrows perching on the lines. Considering the strong electric power flowing inside the line cover, the idyllic scene of the birds would soon turn into a risky play prior to an impending dangerous disaster.

Choi Gene-uk

Around the time of the Inter-Korean Summit, the kinds of ‘art’ presented to the South Korean public were benign travel sketches by a few painters. The painters depicted the people or landscape of North Korea as “peaceful scenery of a foreign country” as if they were camels along the Silk Route. But there is something “impure” in the paintings, different from other ideologically “pure” paintings produced by other artists around the time.

Dinh Q. L?

In Barricade, Dinh Q. L? reflects on the legacy of the Vietnamese and Algerian peoples’ struggle against French colonialism. These revolutions have universal significance: across the continents of Asia to Africa, the same liberating wave to free the colonized “natives” of racial and cultural confinement was ushered in.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?