Piagol

One of the few partisan units left in Mt. Jiri after the signing of the Armistice, the unit led by a captain nicknamed “Agari” commits all manner of atrocities. One day, a female partisan soldier named So-ju, who had been transferred to another unit, finds her way back to Piagol with a bullet wound in her shoulder.


The Last Witness

The film was completed right after the Gwangju Uprising in 1980 but this film, which captured the ordeals in the modern history of Korea, became a mess due to censorship. The controversial film was not released to the public until it was restored in 2006.


Haejun JO & KyeongSoo LEE

The narrative of the film is based on an oral memory about a real event that happened in the 1970s in Jinan in Jeonbuk Province, South Korea. In the film, Haejun JO and KyeongSoo LEE discover a small boat in reclaimed land near a US military base in the city of Gunsan.


Zero Dimension / Kato Yoshihiro

Such activities marked a climax in 1970 when they organized the anti-Expo alliance to crush up the Osaka Exposition. While many avant-garde artists gave up confrontation with capitalism and were agitated by the Expo, Zero Dimension continued their “rituals” at many local universities and Expo venues in association with Zenkyoto (A Student-body Struggle Committee, 1968?1969).


Apologies

The passage of time does not heal all wounds; it cannot settle all accounts or resolve all disputes. But the identities of the perceived perpetrators can change, and a national apology is to document and put on record a symbolic act as a prelude to possible reconciliation and forgiveness.