731: Two Versions of Hell

731: Two Versions of Hell is both a documentary about Japan’s World War II biological weapons facility called Unit 731 and a demonstration of the power of historical revisionism. What constitutes historical truth and the ability of documentary film to represent it?


Joanna Lombard

The work of Swedish artist Joanna Lombard plays with the imaginary border between collective and individual imagination. With childhood memories as a point of departure for her work, Lombard’s oeuvre floats in-between a world of psychological repression, psychoanalytical liberation and cinematographic catharsis.


How to Disappear Completely

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol. She decides to put on a stage play based on an old Philippine film about a family who disappears in the mountain during the war.


Medium Earth

The accumulation of moving images and sounds that makes up Medium Earth comprise an audiovisual essay on the millennial time of geology and the infrastructural unconscious of Southern California.


Rho Jae Oon

As I see it, “wand” is a symbol that represents the phenomenon called special effects. Through Wands, I ironically imagine a different kind of special effect within a space time where visible special effects have vanished.