DocLab’s Works

Based in Hanoi, DOCLAB is an art center for documentaries, experimental films and videos. Founded in 2009, DOCLAB has been working to take film and its audience back into the realm of the individual. Taking documentaries beyond “objectivities,” Hanoi DOCLAB explores the unknown in-between spaces: between objective observance and subjective experience, fiction and non-fiction, the public and the private.

Haegue Yang

Through this ‘dance’ of bells, Yang’s work allusively suggests the topic of sound as the beginning force that opens up the world (as it is told in many ancient myths). Such an interest in this ‘cosmology’ also manifests as a representation of ‘orbit’ in Yang’s works. The arrangement of works gives an impression that they could move along the trajectory drawn by the vinyl tape on the floor.

Pilar Mata Dupont

Mata Dupont has animated those monuments to play with utopian ideas of reunification, and the significance of the “embrace” as representation of the reunification in the South Korean national psyche.

731: Two Versions of Hell

731: Two Versions of Hell is both a documentary about Japan’s World War II biological weapons facility called Unit 731 and a demonstration of the power of historical revisionism. What constitutes historical truth and the ability of documentary film to represent it?

10 Years of Video Art in Indonesia

Film director and artist Hafiz selected a collection of works titled ‘10 Years of Video Art in Indonesia,’ a joint project with the OK. Video Festival and an alternative artist group ruangrupa.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?