Zero Dimension / Kato Yoshihiro

Such activities marked a climax in 1970 when they organized the anti-Expo alliance to crush up the Osaka Exposition. While many avant-garde artists gave up confrontation with capitalism and were agitated by the Expo, Zero Dimension continued their “rituals” at many local universities and Expo venues in association with Zenkyoto (A Student-body Struggle Committee, 1968?1969).

Earth

Upon the site lie fifty human beings oscillating between consciousness and unconsciousness, life and death. Each of them emerges into the foreground clutching a fist, batting an eyelid, or weeping for his neighbor.

Bae Young-whan

In Inwang Mountain, Seoul, the sacred and the secular live together. The past and present coexist. Both ideas and reality stay together while soldiers, shamans, hikers and Buddhist monks get along with one another. Even political conspiracies and religions have left their marks there.

Habitual Sadness 2

They are no different from the elderly women we see everyday. However, they are all marked by pain and sorrow from their shared history of being “comfort women” during World War II. They became subject to prejudice in their own homeland after their return to Korea.

Lina Selander

Lenin’s Lamp Glows in the Peasant’s Hut is a work with many points of entry. In the text piece that can be viewed as a sketch for the film, the conceptual content of the film is presented as a number of mineshafts, various vertical movements that are joined together and create a system of meanings into which viewers may descend.

Trailer Project
Trailer Project

YOUNG-HAE CHANG HEAVY INDUSTRIES: MAKING SENSE WHEN THERE'S YOU, NONSENSE, AND LONELINESS / IS DOKDO OUR LAND?